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Bryn Mawr
Film Institute

Phase 2
Film Education Course Offerings
Rashomon (1950)

 

   

The Asian Masters
Taught by :
Paul Wright, Ph.D.
Barbieri Fellow in Core Humanities, Villanova University
Hailin Zhou, Ph.D.
Classical and Modern Languages and Literature, Villanova University

The directors to whom the title of this course refers are largely responsible for introducing non-Western film to American audiences. They are among the defining artists of Asian Cinema, a term denoting a body of filmic texts as expansive and diverse as the continent from which it springs. Such pictures run the gamut from the Hollywood-influencing epics of Japan’s Akira Kurosawa, to the lushly desirous films of Chinese director Wong Kar Wai, to John Woo’s slick and Hollywood-influenced Hong Kong productions and beyond.

But among their contributions to and re-appropriations of western filmmaking, these directors and their cinematic progeny have carved out new paths in film language, characterization, and narrative approach. As a result, viewers are treated to sometimes mythic, sometimes mundane—and often familiar—stories that are formally, thematically, and narratively infused with a fresh sensibility.




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