
August In a dizzying four years, Preston Sturges reinvented American film comedy. With seven landmark films, his mix of wordplay and slapstick created a school of movie-making that was wildly funny and distinctively American—a sophisticated take on the screwball cycle: fast and smart and never too dignified for pratfalls. Sturges was the first prominent writer-director in Hollywood history, paving the way for his Paramount Pictures colleague, Billy Wilder, among others. In this course, we will discuss the process by which Sturges the writer became Sturges the director, and what his films, which include The Lady Eve and Sullivan’s Travels, say about their times and the American character. We will also see how he achieved his comic effects, and how, in an era of strict censorship, Sturges managed to creatively and amusingly evade the era’s reigning Production Code to deal with some very adult themes. Class meets Wednesdays, August 2, 9, 16, 23, 10am to 1pm |
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Magnificent Obsession: The Melodrama Scorsese's Cinema of Loneliness The Dark Side of Hollywood: Film Noir Science Fiction: A Film Odyssey Vistas and Vengeance: The Western Conscientious Objectors: Post-War Political Films Midnight Cowboys and Taxi Drivers Preston Sturges: The Prince of Paramount The Language of Film - Tuesday class The Language of Film - Saturday class Cracking Wise and Falling in Love (Again): The Screwball Comedy Femmes Fatales and Hard Boiled Patsies: Film Noir and Beyond Mr. Strangelove: Peter Sellers On Screen and Off Singin' on the Screen: The Musical
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